![]() His novel Mayday (1991) is being re-published by Endeavour Press and his latest books Comedy Rules (Faber and Faber) and Samaritans (Endeavour) both received rave reviews. Jonathan authored the bestselling books The Complete Yes, Minister and The Complete Yes, Prime Minister, which cumulatively sold more than a million copies in hardback and have been translated into numerous languages and are still in print nearly 30 years later. For television, Jonathan’s writing credits include dozens of episodes of various comedy series but he is best known for the phenomenally successful, multi-award-winning BBC series Yes Minister and Yes, Prime Minister, co- written and created with Antony Jay. His first produced screenplay was The internecine Project (1974). Bilko, Greedy, Trial And Error, The Whole Nine Yards, The Fighting Temptations and most recently, Wild Target. JONATHAN LYNN Jonathan Lynn has directed 10 feature films including the cult classic Clue (he also wrote the screenplay), Nuns on the Run (also written by Mr Lynn), My Cousin Vinny, The Distinguished Gentleman, Sgt. Clue is the comedy whodunit that will leave both cult-fans and newcomers in stitches as they try to figure out WHO did it, WHERE, and with WHAT?! Peacock, Colonel Mustard, and Wadsworth, the butler, race to find the killer. As the body count rises, Miss Scarlet, Professor Plum, Mrs. When their host turns up dead, they all become suspects. At a remote mansion, six mysterious guests assemble for an unusual dinner party where murder and blackmail are on the menu. And rightfully so.” Queer Forty PLAY DETAILSīased on the iconic 1985 film – which was inspired by the classic Hasbro board game – Clue is a hilarious farce-meets-murder mystery. “San Francisco Playhouse has spent the last 10 years earning the title of the Bay Area’s Most Award-Winning Theatre Company. ![]() “A laugh riot! So funny, so elegantly performed, directed and designed, that nothing much else matters.” Bay City News “Everyone’s guilty - of having a good time! It’s still possible for grown-ass adults to pack a theater and spit-take.” San Francisco Chronicle
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